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It begins with a woman sitting on a bed with her dog, saying nothing, barely moving, and ends with a raucous gay pride parade. In between: candid opinions, hesitations, tears, songs, chainsaws, a lot of cigarettes, and a meal or two. And we learn that Barbie and Ken wear the same size. Funny, articulate, and occasionally troubling, the testimonies offered by the 26 subjects of Word Is Out entertain, inform, and inspire for the duration of its 130 minutes. Made in 1977 by the Mariposa Film Group, the documentary--a montage of interviews in which the crew often foregrounds its own participation (by responding verbally, retaining mistakes, and shooting into mirrors, for example)--divides into three parts. The first focuses on the closet, and various attempts to pry open the door; the second on coming-out experiences--initial physical contact and emotional involvement; and the third on present and future concerns, including the consequences of visibility, which, as several of these people make clear, could be more dire then than now. Likewise, the film is definitely a period piece, wide lapels, frizzy perms, handlebar mustaches, overstuffed furniture, towering table lamps, pot plants, and all. But it also remains an important artifact of its time, in terms of these individuals, such as Radical Faerie Harry Hay and his partner, Bob, as well as the history of gay liberation. From the comical (one woman's psychiatrist attempts to treat her lesbianism with a diet of green salads) to the painful (one man's parents consider castrating him, while more than one interviewee had to witness or undergo shock treatment in mental institutions), and ethnically varied, Word Is Out offers telling tales of the city, town, and country: an act of remembrance on par with Coming Out Under Fire and The Celluloid Closet. --Robert Burns Neveldine